In the “Implied Gestures” series, I work with the limits of recognizability of human gestures. I like to watch the body emerge from a deformed, sliced space. Sometimes it is immediately clear what the image depicts, and sometimes everything is unobvious and you have to use your imagination. Everyone can see something different, get carried away by pareidolia, and look for his own associations. The images remain unclear even though they consist of stunningly sharp details. Creation of these works is a long and engaging process of experimenting with algorithms for me. I want to mask the body's gesture to the point of legibility, but not let it disappear completely. I play with code, parameters, randomness, and control. I look for the moment when the form is still within the field of vision, but is almost beyond recognition. It's good to reach the boundary between what is clear and what is elusive, to pause for a moment and linger in this strange zone of ambiguity. This series features only two colors: 100% black and 100% white. Yet the interplay of the wedges creates the illusion of gradients and object edges in our minds. Once again, it turns out that what we see depends primarily on what we have learned to see. ● A limited-edition fine art print in museum-quality, archival standard, on acid-free paper without optical brighteners, compliant with ISO 9706. Each artwork is available in 23 numbered and signed copies.
